
Lisa's Room: A Dream
High-spirited and fun, Lisa's Room features themes of fidelity, emancipation, independence, and identity. Follow Lisa through her dream of being true to herself in a man's world.
There are five characters in this opera: Lisa (the dreamer), the Clown Doll, Raggedy Andy, Lisa’s Father, and the Drum Majorette. All of the characters intrude upon Lisa’s room and some are more welcome than others. Though they have been developed and expanded, the personalities of the characters and the main events remain true to the content of the original dream. The opera develops through a series of abruptly juxtaposed scenes with certain recognizable dream elements: high energy, unexplained twists, symbolic gestures, and adamant, foolish and heroic characters.

Synopsis
Scene 1
Lisa dreams that she is 17 years old and has just awoken to discover two Dolls (Raggedy Andy and the Clown Doll—both men) in her bedroom, exchanging images that are sometimes poetic and sometimes just silly. She tries repeatedly to interrupt or join in, feeling vaguely as if she remembers them and this image-telling game from distant times past. The Dolls then carry on a private conversation amongst themselves in which they discuss their origins and their devotion to Lisa’s patch-work quilt country of long ago. Lisa begins painting at her easel while the dolls talk. The Dolls ignore Lisa’s continuous questions.
Scene 2
The Dolls run around like mad and then hide as they intuit that Lisa’s Father is about to come into her room. Lisa continues painting as she and her Father have a huge, melodramatic but emotional fight about the harsh realities of life as an artist. He leaves in a huff. She is distraught.
Scene 3
The Dolls reappear, take pity on her and decide to include her in the next image, an image that pertains specifically to Lisa and not to the Dolls. A Drum Majorette suddenly appears, marching on stage carrying a flag. A mock-serious ceremony begins. The flag is stretched out to reveal a happy, purposeful duck on a sea of blue-green water, swimming towards a red sun. They all sing a chorale about the flag, the Drum Majorette joining in with exotic, coloratura frills. The Drum Majorette exits and the Dolls hide themselves as they sense that Lisa’s Father is about to burst into her room for the second time.
Scene 4
Lisa sees her Father coming down the hallway to her room. He carries what appears to be an ancient cross. It is inlaid with sparkly jewels, and he demands that Lisa assess its value for him. “Is it fake or is it real?!” She looks at it and really doesn’t know—because she is not (yet) the expert he has decided she is. He comes in and out of her room three times always asking the same question, the second time not only carrying the cross but wearing a crown, and the third time he adds a royal robe to his outfit. She is so annoyed by his questions that she asks him if he thinks she’s “King Solomon”. They join forces to re-enact the story about King Solomon trying to figure out which one of two identical flower bouquets is real. After the storytelling, she decides to tell him honestly that she believes the cross with jewels is just a trinket and home-made. She asks him why he has kept it. Her Father explains that he keeps everything. He suggests that Lisa should keep something that she likes. Lisa wonders if she could possibly manage to hold on to anything as her own.
Scene 5
When her Father exits, the Dolls and Drum Majorette reappear carrying the flag which they hang on Lisa’s canvas, showing the picture of the duck on the water, as if it has become the picture Lisa was painting all along. Lisa and the Drum Majorette sing about the duck floating on the water and the memory of the rolling sea. The Drum Majorette exits. The Dolls take center stage with an epilogue about their origins. Lisa closes the opera as the Dolls fall asleep.
Production History
Lisa’s Room: A Dream is based on an actual dream by the composer. It was first developed in a composer/librettist workshop at the Bay Area Playwrights Festival in California, then further developed and produced by Piccolo Productions in Chicago, at the Fine Arts Building on Michigan Avenue with piano accompaniment. It's now fully revised and orchestrated and was given its New York City premiere by the American Chamber Opera Company in June of 2016 at the Riverside Theatre.
Arias from Lisa's Room
The Patchwork Quilt (Trio)
King Solomon Chorale (Quartet)
Father and Lisa (Duet)
March and Unfurling of Flag (Duets)






